Sunday closes the festival with a kaleidoscope of urgent voices, bold ideas, and cultural encounters.

At The Wild Detectives, Argentina’s fearless Gabriela Cabezón Cámara—a founder of the feminist movement Ni Una Menos—appears with Michel Nieva and Carmen Alvarez to discuss writing as resistance and imagination. The afternoon continues with the U.S. launch of Tsunami: Women’s Voices from Mexico, featuring contributors Gabriela Jáuregui, Marina Azahua, and Sara Uribe, who reflect on how feminist writing reshapes public life. Later, writer and poet Tim Z. Hernández speaks with Claudia Vega of Whose Books about recovering migrant histories and turning archival silence into literature.

Meanwhile, the Texas Theatre hosts a series of equally powerful events. Spanish critic Jordi Carrión joins Cristina Rodríguez to argue for defending independent bookstores in the age of Amazon. Award-winning science journalist Angela Saini presents The Patriarchs, her groundbreaking history of how male dominance was constructed—and how it might be dismantled. In a cultural twist, Manuel Sánchez Viamonte of the band Él Mató a un Policía Motorizado curates a special U.S. edition of Festiclip, showcasing Argentina’s DIY music-video culture.

The day culminates in a historic conversation between two legendary drummers: Brendan Canty (Fugazi) and Hugo Burnham (Gang of Four). Together they explore rhythm as protest, the politics of sound, and the legacy of post-punk as cultural resistance.

Workshops across Oak Cliff complement the main program, from Lorena De Luna on finding your voice to Eduardo Rabasa and Will Evans on publishing, ensuring the festival closes with space for creation as well as reflection.

Sunday is where global feminist voices, music innovators, and radical thinkers converge—leaving audiences with questions, connections, and ideas to carry forward.

CHECK THE FULL PROGRAM AND BOOK YOUR EVENTS HERE

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