Wong Kar-Wai creates art for one medium: film. His are not the kind of movies that could be adapted to any other format, be it book, television, or theater. He paints with the lens, flashes of color slashing across the celluloid. He extracts the best from his actors, beckoning feelings of incredible depth and meaning in a single look. Wong is, to put it simply, a filmic genius crafting masterworks of mood and light for an audience that’s just now coming to appreciate the extent of his oeuvre.
A provocateur, the Oak Cliff Film Festival is exactly that. The OCFF stands out far from the conventional festival circuit, with a torch in its hand stirring, provoking. Just take a look at the program and you’ll understand what I mean.
Like the day before Christmas, or like a kid in front of a candy store, that’s the feeling I get when I have in my hands the guide to the Dallas International Film Festival (DIFF). The DIFF ninth edition offers 11 days and nights of film; hundreds of movies, and the unique opportunity to watch handpicked worldwide features.
Excessive, unsettling, cathartic, the Argentine film Wild Tales aims for nothing less. Damian Szifron’s Oscar nominated movie opens in Dallas theatres on March 13th., posing the puzzling question… what if we loose control, what if we forget our good boys and girls behavior, what if we forsake the rules, what if. Warning it’s not for the faint of heart.
If you’re looking for big bangs, singularities or other forms of Stephen Hawking’s wry wit you’re in the wrong place. We do want to talk about time, though. Cinematic time that is. We want to talk about the evolution of its treatment from the early pioneers to, what we think it’s a game changer, Richard Linklater’s masterpiece “Boyhood”.
314 W Eighth St. Oak Cliff.
Dallas, TX 75208. T: 214-942-0108