A platform to get your cultural two cents out there.
Cosmic Horror. It’s a phrase I expect to find written in fat, drippy letters on the cover of an EC comic book from the 1950’s. Or one of the empty promises hurled at the audience in the previews for what will prove to be a predictably ordinary 1940’s horror film: Fiendish Tortures!…Ghastly Terrors!!…Cosmic Horror!!!
When David Bowie once commented on a mime piece he did early in his career, in which his character struggles to remove a false face, he noted “The papers made a big thing out of it . . . funny though, they didn’t mention anything about a mask.”
Louisa Hall’s novel Speak shocked us all with its thoughtful and rich exploration of the human need for connection; it left us with certain urge to find out more and ask her about the book. Here is that conversation.
The very best of 2015 according to the people who make The Wild Detectives possible and some of our great friends.
Wong Kar-Wai creates art for one medium: film. His are not the kind of movies that could be adapted to any other format, be it book, television, or theater. He paints with the lens, flashes of color slashing across the celluloid. He extracts the best from his actors, beckoning feelings of incredible depth and meaning in a single look. Wong is, to put it simply, a filmic genius crafting masterworks of mood and light for an audience that’s just now coming to appreciate the extent of his oeuvre.
In July, Charles Dee Mitchell wrote an excellent article on this blog entitled “Enough with the Tomes: 4 Authors to Read in an Afternoon.” However, despite its excellent recommendations, the reverse position deserves an ardent defense.
Reading the recommendations of established authors lets you look into the mind of an artist in a unique way; you don’t just see how they love to create, but the creations of others that they admire.
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