A platform to get your cultural two cents out there.
Like the day before Christmas, or like a kid in front of a candy store, that’s the feeling I get when I have in my hands the guide to the Dallas International Film Festival (DIFF). The DIFF ninth edition offers 11 days and nights of film; hundreds of movies, and the unique opportunity to watch handpicked worldwide features.
I’ve always liked the idea of reading and getting lost in my own imagination, though there are few books that I have enjoyed reading for the genius intricacies of structure and allure to the aesthetic use of language. There is a delightful feeling to the way that Jeet Thayil has grabbed my short attention span and slowed down time to use Narcopolis to portray a beautifully broken India.
Nobody with a minimum amount of common sense would ever consider neither one of these books Ablutions (Patrick DeWitt, 2009) and Love Me Back (Merritt Tierce, 2014) as inspirational. On the other hand, what anybody can easily see is that when it comes to writing fiction, these two know pretty damn well what they are doing. In fact, it is really hard to believe that we are talking about a couple of debut novels.
Shakespeare in The Bar will be back at The Wild Detectives on March 23 performing Much Ado About Nothing. We wanted to know what’s the thinking process behind all this (beautiful) mess, so we reached out to Katherine Bourne, 33% of the collective mind behind SITB.
Excessive, unsettling, cathartic, the Argentine film Wild Tales aims for nothing less. Damian Szifron’s Oscar nominated movie opens in Dallas theatres on March 13th., posing the puzzling question… what if we loose control, what if we forget our good boys and girls behavior, what if we forsake the rules, what if. Warning it’s not for the faint of heart.
The New York Times is pretty good at telling you how to take the most of 36 hours in a new city, those are nice articles. Well, let me give you my guidelines on how to waste more than 40 hours next time you visit a friend in a new city, with the invaluable soundtrack of Deer Tick’s John McCauley.
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